Malcolm Wright

Robert Briscoe is known as a functional stoneware potter. Signature forms include covered jars and flat-sided bowls, tall vases and baskets. Briscoe strives for a sense of plasticity in the finished state. ...
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Typical Marks

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    Biography

    Robert Briscoe is known as a functional stoneware potter. Signature forms include covered jars and flat-sided bowls, tall vases and baskets. Briscoe strives for a sense of plasticity in the finished state. His work is marked by a minimalist approach to form with rough surfaces and dry glazes.

    Using softer-than-average stoneware clay, his work begins on the potter's wheel. After developing thrown forms, Briscoe moves his wares through a series of alterations during the drying process. Briscoe often begins by changing the shape of the wheel-thrown piece in the wet stage. Typical off-wheel alterations include, paddling, denting and bending the walls of pieces using basic boards. Another staple of Briscoe?s work is the use of a ribbon tool for his vertical fluting patterns.

    Briscoe is focused on earth toned ash glazes which develop subtlety and nuance and finished surfaces often of cracked and marred whites. In conjunction with colored slip application, ash glazes, round out Briscoe?s aesthetic.

    In addition to his personal creations, Briscoe is a steward of the ceramics field. He is an avid supporter and founding member of the annual St. Croix Valley Pottery Festival, and has participated in regional arts advocacy initiatives throughout his career.

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    Apprenticeships & Residencies
    Primary Work Experience
    1968

    Studio Potter

    1970
    -
    1980

    Faculty, Marlboro College, Marlboro, Vermont

    Other

    Public Collections

    Art Complex Museum, Duxbury, Massachusetts

    Bennington Museum, Bennington, Vermont

    Blanden Memorial Art Museum, Fort Dodge, Iowa

    Corcoran Gallery of Art, Washington, DC

    Currier Museum of Art, Manchester, New Hampshire

    Denver Art Museum, Denver, Colorado

    Huntington Museum of Art, Huntington, West Virginia

    Idemitsu Museum, Tokyo, Japan

    Michelle and Donald D’Amour Museum of Fine Arts, Springfield, Massachusetts

    Museum of Fine Arts, Boston, Massachusetts

    Urasenke Society of New York, New York, New York

    Yale University Art Gallery, New Haven, Connecticut

    Bibliography

    Morse, Samuel. Bridge of Fire: Two Potters East and West. Springfield, MA: Museum of Fine Arts, 1992.

    Wright, Malcolm. “Pottery and Sculpture”, The Studio Potter (December, 2005).

    _______________. "About Blowholes", The Log Book, no.19 (2004).

    _______________. “Collaborating with Takashi Nakazato”, The Studio Potter 21, no. 1 (December 1991).

    _____­­­_________, et. al., “In Praise of Feet”, The Studio Potter 18, no.2 (June 1990).

    Skove, Margaret. Functional Ceramics and Sculpture. Fort Dodge IA: Blanden Memorial Art Museum, 2000.

    Stockwell, Craig. "Review," Art New England, February/March, 2008.

    CV or Resume

    Website(s)
    Tags (related topics)

    Marlboro, Vermont

    Washington, DC

    Citation: Malcolm Wright, "The Marks Project."
    Last modified April 29, 2026. https://www.themarksproject.org/artists/malcolm-wright

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