Cynthia Bringle
Cynthia Bringle has spent her life as a studio potter producing domestic wares. The surface is a focus of her work, frequently decorated with quick Japanese referenced motifs or with faceted and ...
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Typical Marks
About
- Biography
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Cynthia Bringle has spent her life as a studio potter producing domestic wares. The surface is a focus of her work, frequently decorated with quick Japanese referenced motifs or with faceted and incised surfaces sometimes with turtle or other nature referenced finials and handles. Her pieces are primarily stoneware; however she occasionally works with porcelain.
Bringle began her academic career as a painter but after an introductory pottery class changed her major to ceramics.She continued to use a painterly approach to surface throughout her career as a studio potter. While in school she visited the Haystack Mountain School of Crafts, working there over the summers and returning frequently. In 1963 she went to the Penland School of Craft for the first time. In 1965, Bringle set up her first studio in Memphis, returning to Penland and Haystack to teach seasonally. She permanently moved to Penland in 1970 where she established her pottery and taught at the Penland School of Craft.
Bringle believes that through use, a fundamental connection is made between the potter and the user.
A transcript of an interview with Cynthia Bringle conducted January 22, 1992 by Liza Kirwin, for the Archives of American Art?s American Art Oral History Project, funded by the Smithsonian Institution's Women's Committee, is available at: http://www.aaa.si.edu/collections/interviews/oral-history-interview-cynthia-bringle-12710.
" - Apprenticeships & Residencies
- Primary Work Experience
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1960's
Studio Assistant, Haystack Mountain School of Crafts, Liberty, Maine
1970Faculty, Penland School of Crafts, Penland, North Carolina
Other
- Public Collections
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American Museum of Ceramic Art, Pomona, California
Asheville Art Museum, Asheville, North Carolina
Burlington Art Centre, Ontario, Canada
High Museum of Art, Atlanta, Georgia
Mint Museum, Charlotte, North Carolina
Southern Highland Craft Guild, Asheville, North Carolina
- Bibliography
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Ennis, Lynn Jones. Cynthia Bringle: a Fiery Influence. Asheville, NC: Southern Highland Craft Guild, 1999.
Lark Crafts. The Best of 500 Ceramics: Celebrating a Decade in Clay. Ashville, NC: Lark Books, 2012.
Lauria, Jo and Steve Fenton. Craft America Celebrating Two Centuries of Artists and Objects. New York, NY: Clarkson Potter /Publishers, 2007.
Peterson, Susan. The Craft and Art of Clay. Woodstock, NY: The Overlook Press, 2000.
______________, et. al. The Grande Dames of Ceramics: Susan Peterson and Friends: February 1–March 15, 2004. Chicago, IL: Andora Gallery, 2004.
- CV or Resume
- Website(s)
Citation: Cynthia Bringle, "The Marks Project."
Last modified April 29, 2026. https://www.themarksproject.org/artists/cynthia-bringle
Objects
Collections
American Museum of Ceramic Art (AMOCA)
Pomona, California
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American Museum of Ceramic Art (AMOCA)
Pomona, California
Clay Art Center, Port Chester, New York
United States
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Clay Art Center, Port Chester, New York
United States
rosenfieldcollection.com
Dallas, Texas
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rosenfieldcollection.com
Dallas, Texas -
rosenfieldcollection.com
Dallas, Texas
Southern Highland Craft Guild Collection
Asheville, North Carolina
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Southern Highland Craft Guild Collection
Asheville, North Carolina -
Southern Highland Craft Guild Collection
Asheville, North Carolina -
Southern Highland Craft Guild Collection
Asheville, North Carolina

